{"id":12411,"date":"2019-11-21T10:56:17","date_gmt":"2019-11-21T10:56:17","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/wenzhou-guci-wen-zhou-gu-ci\/"},"modified":"2019-11-21T10:56:17","modified_gmt":"2019-11-21T10:56:17","slug":"wenzhou-guci-wen-zhou-gu-ci","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/de\/wenzhou-guci-wen-zhou-gu-ci\/","title":{"rendered":"Wenzhou guci \u6e29\u5dde\u9f13\u8bcd"},"content":{"rendered":"
\u65f6\u95f4\uff1a2006\u5e74
Time: 2006
\u7c7b\u522b\uff1a\u66f2\u827a
Category: Recitative, story-telling
\u5730\u533a\uff1a\u6d59\u6c5f
Region: Zhejiang Province
\u7f16\u53f7\uff1a\u2164—13
Ref. No.: V-13
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Nominating unit[s]: Rui’an City, Zhejiang Province
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Wenzhou guci is a folk vocal art form popular in Wenzhou of Zhejiang Province and surrounding areas, commo<\/em>nly known as “Changci” (singing lyrics). As most of those engaged in this art in the past were blind people, it was also called “\u77bd\u8bcd” (guci) or “\u76f2\u8bcd” (mangci) [both “\u77bd” and “\u76f2” mean blind]. It was performed in the Wenzhou dialect, featuring strong local characteristics and unique artistic style. It was already pre<\/em>valent in the mid-Qing Dynasty.
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Wenzhou guci is performed in form of singing and recitative. Its vocal music is Banqiang-style (variation of rhythmic patterns), and its basic tune is “Yingdiao”. Wenzhou guci is regular in rhythm, catchy in lyrics and extensive in the changes of rhythmic patterns. It is mainly performed by one person “Dandang” (also in double form such as couple, brother and sister, teacher and student and so on.). The performers play the Niujinqin (beef tendon fiddle) while singing and talking. It o<\/em>nce appeared groups of over three people to perform after the 1970s.
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It is known that major figures highly skilled in Wenzhou guci include Bai Mensong, A Guang’er, Mao Xingfa, Chen Changde of the Qing Dynasty, Cao Daiqing, Chen Renlian, Li Qingxin, Li Linmu, Bai Xiangzhen, Wang Akun of the Republic of China, Guan Huashan, Ruan Shichi, Zheng Mingqin, Ding Lingsheng, Chen Zhixiong, Fang Keduo, Xu Yuyan, Lin Xiuzhen and so on after the foundation of the People’s Republic of China. Wenzhou guci is of rich artistic accumulation, so it has many traditio<\/em>nal plays such as Nan You and Cano<\/em>nization of the Gods (or Feng Shen), Cases of Judge Bao (Baogong An), Xue Renggui Co<\/em>nqureing Liaodong Peninsula (Zheng Dong) and Xue Dingshan Co<\/em>nquering the West (Zheng Xi), The Twelve Prostitutes (Shi Er Hong) and The Eight Women (Ba Mei Tu), The Seven Heroes and Five Gallants (Qi Xia Wu Yi) and The Seven Swords and Thirteen Swordsmen (Qi Jian Shi San Xia) and so on. New plays are Hai Ying, The Railway Guerrillas, Xiao Er Hei’s Marriage, Qiu Xiang’s Love for the People’s Commune (Qiu Xiang Ai She).
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Since the 21st century, the development of Wenzhou guci has been in difficult conditions, such sort of performances have been hardly available, and successors have fallen short, so it is badly in need of protection.
 
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Inheritor(s):
\u962e\u4e16\u6c60 \u65b9\u514b\u591a
Ruan Shichi and Fang Keduo
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