{"id":3518,"date":"2019-11-19T08:45:07","date_gmt":"2019-11-19T08:45:07","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/chinese-architecture-zhong-guo-jian-zhu\/"},"modified":"2019-11-19T08:45:07","modified_gmt":"2019-11-19T08:45:07","slug":"chinese-architecture-zhong-guo-jian-zhu","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/de\/chinese-architecture-zhong-guo-jian-zhu\/","title":{"rendered":"Chinese Architecture \u4e2d\u56fd\u5efa\u7b51"},"content":{"rendered":"<div>Chinese architecture refers to a style of architecture that has taken shape in Asia over the centuries. The structural principles of Chinese architecture have remained largely unchanged, the main changes being o<em><\/em>nly the decorative details. Since the Tang Dynasty, Chinese architecture has had a major influence on the architectural styles of Korea, Japan, Taiwan and Vietnam.<\/p>\n<p>  The following article gives a cursory explanation of traditio<em><\/em>nal Chinese architecture, before the introduction of Western building methods during the early 20th Century. Throughout the 20th Century, however, Western-trained Chinese architects have attempted to combine traditio<em><\/em>nal Chinese designs into modern (usually government) buildings, with o<em><\/em>nly limited success. Moreover, the pressure for Western-style urban development throughout co<em><\/em>ntemporary China means that demand for traditio<em><\/em>nal Chinese buildings is quickly disappearing.<br \/>  Features, and Classification<br \/>  There are certain features common to all Chinese architecture, regardless of specific region or use.<\/p>\n<p>  The most im<em><\/em>portant is the Chinese architectural emphasis on the horizo<em><\/em>ntal axis, in particular the co<em><\/em>nstruction of a heavy platform and a large roof that floats over this ba<em><\/em>se, with the vertical walls not as well emphasized. This co<em><\/em>ntrasts Western architecture, which tends to grow in height and depth. Chinese architecture stresses the visual impact of the width of the buildings. The halls and palaces in the Forbidden City, for example, have rather low ceilings when compared to equivalent stately buildings in the West, but their external appearances suggest the all-embracing nature of imperial China. This of course does not apply to pagodas, which, in any case, are relatively rare. These ideas have found their way into modern Western architecture, for example through the work of J&oslash;rn Utzon (see page 221 of Weston (2002)).<br \/>  Another im<em><\/em>portant feature is its emphasis on symmetry, which co<em><\/em>nnotes a sense of grandeur; this applies to everything from palaces to farmhouses. A notable exception is in the design of gardens, which tends to be as asymmetrical as possible. The principle underlying the garden&#8217;s composition is to create enduring flow and emmulate nature.<br \/>  Chinese buildings may be built with either red or grey bricks, but wooden structures are the most common; these are more capable of withstanding earthquakes, but are vulnerable to fire. The roof of a typical Chinese building is curved; there are strict classifications of gable types, comparable with the classical orders of European columns.<\/p>\n<p>  The use of certain colours, numbers the cardinal directions in traditio<em><\/em>nal Chinese architecture reflected the belief in a type of immanence, wher the nature of a thing could be wholely co<em><\/em>ntained in its own form, without reference to an evanescent belief. Although the Western tradition gradually developed a body of architectural literature, little was written on the subject in China, and the earliest text, the Kaogongji, was never disputed. However, ideas a<em><\/em>bout cosmic harmony and the order of the city were usually interpreted at their most basic level, so a reproduction of the &quot;ideal&quot; city never existed. Beijing as reco<em><\/em>nstructed throughout the 15th and 16th century remains the best example of traditio<em><\/em>nal Chinese town planning.<\/p>\n<p>  Classification by structure<br \/>  Chinese classifications for architecture include:<br \/>  \u6a13 \uff08\u697c\uff09 lou (Multistory buildings)<br \/>  \u53f0 tai (terraces)<br \/>  \u4ead ting (pavilions)<br \/>  \u95a3 \uff08\u9601\uff09 ge (Two-story pavilions)<br \/>  \u5854 ta (Chinese pagodas)<br \/>  \u8ed2 \uff08\u8f69\uff09 xuan (Verandas with windows)<br \/>  \u69ad xie (Pavilions or houses on terraces)<br \/>  \u5c4b wu (Rooms along roofed corridors)<\/p>\n<p>  Imperial architecture<br \/>  There were certain architectural features that were reserved solely for buildings built for the Emperor of China. One example is the use of yellow roof tiles; yellow having been the Imperial color, yellow roof tiles still adorn most of the buildings within the Forbidden City. The Temple of Heaven, however, uses blue roof tiles to symbolize the sky. The roofs are almost invariably supported by brackets, a feature shared o<em><\/em>nly with the largest of religious buildings. The wooden columns of the buildings, as well as the surface of the walls, tend to be red in colour.<\/p>\n<p>  The Chinese dragon, an emblem reserved for the imperial regime, were heavily used on imperial architecture &#8211; on the roofs, on the beams and pillars, and on the doors. o<em><\/em>nly the buildings used by the imperial family were allowed to have nine gan (space between two columns); o<em><\/em>nly the gates used by the Emperor could have five arches, with the centre one, of course, being reserved for the Emperor himself. The ancient Chinese favored the color red. The buildings faced south because the north had a cold wind.<\/p>\n<p>  Beijing became the capital of China after the Mo<em><\/em>ngol invasion of the 13th century, completing the easterly migration of the Chinese capital begun since the Jin dynasty, the Ming uprising in 1368 reasserted Chinese authority and fixed Beijing as the seat of imperial power for the next five centuries. The Emperor and the Empress lived in palaces on the central axis of the Forbidden City, the Crown Prince at the eastern side, and the co<em><\/em>ncubines at the back (therefore the numerous imperial co<em><\/em>ncubines were often referred to as &quot;The Back Palace Three Thousand&quot;).<\/p>\n<p>  However, during the mid-Qing Dynasty, the Emperor&#8217;s residence was moved to the western side of the complex. It is misleading to speak of an axis in the Western sense of a visual perspective ordering facades, rather the Chinese axis is a line of privilege, usually built upon, regulating access &#8211; there are no vistas, but a series of gates and pavilions.<\/p>\n<p>  Numerology heavily influenced Imperial Architecture, hence the use of nine in much of co<em><\/em>nstruction (nine being the greatest number) and reason why The Forbidden City in Beijing is said to have 9,999.5 rooms &#8211; just short of the mythical 10,000 rooms in heaven. The im<em><\/em>portance of the East (the direction of the rising sun) in orienting and siting Imperial buildings is a form of solar worship found in many ancient cultures, wher the notion of Ruler is affiliated with the Sun.<\/p>\n<p>  Commo<em><\/em>ner architecture<br \/>  As for the commoners, be they bureaucrats, merchants or farmers, their houses tended to follow a set pattern: the centre of the building would be a shrine for the deities and the ancestors, which would also be used during festivities. On its two sides were bedrooms for the elders; the two wings of the building (known as &quot;guardian dragons&quot; by the Chinese) were for the junior members of the family, as well as the living room, the dining room, and the kitchen, although sometimes the living room could be very close to the center.<br \/>  Sometimes the extended families became so large that one or even two extra pairs of &quot;wings&quot; had to be built. This resulted in a U-shaped building, with a courtyard suitable for farm work; merchants and bureaucrats, however, preferred to close off the front with an imposing front gate. All buildings were legally regulated, and the law held that the number of storeys, the length of the building and the colours used depended on the owner&#8217;s class.<\/p>\n<p>  Religious architecture<br \/>  Generally speaking, Buddhist architecture follow the imperial style. A large Buddhist mo<em><\/em>nastery normally has a front hall, housing the statue of a Bodhisattva, followed by a great hall, housing the statues of the Buddhas. Accommodations for the mo<em><\/em>nks and the nuns are located at the two sides. Buddhist mo<em><\/em>nasteries sometimes also have pagodas, which may house the relics of the Gautama Buddha; older pagodas tend to be four-sided, while later pagodas usually have eight-sides.<br \/>  Daoist architecture, on the other hand, usually follow the commoners&#8217; style. The main entrance is, however, usually at the side, out of superstition a<em><\/em>bout demons which might try to enter the premise. (See feng shui.) In co<em><\/em>ntrast to the Buddhists, in a Daoist temple the main deity is located at the main hall at the front, the lesser deities at the back hall and at the sides.<\/p>\n<p>  \u4e2d\u56fd\u5efa\u7b51<br \/>  &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; \u4e2d\u56fd\u53e4\u4ee3\u5efa\u7b51\u5177\u6709\u6734\u7d20\u6de1\u96c5\u7684\u98ce\u683c\uff0c\u4e3b\u8981\u4ee5\u8305\u8349\u3001\u6728\u6750\u4e3a\u5efa\u7b51\u6750\u6599\uff0c\u4ee5\u6728\u67b6\u6784\u4e3a\u7ed3\u6784\u65b9\u5f0f\uff08\u67f1\u3001\u6881\u3001\u678b\u3001\u6aa9\u3001\u693d\u7b49\u6784\u4ef6\uff09\uff0c\u6309\u7167\u7ed3\u6784\u9700\u8981\u7684\u5b9e\u9645\u5927\u5c0f\u3001\u5f62\u72b6\u7ec4\u5408\u5728\u4e00\u8d77\u3002\u8fd9\u79cd\u5efa\u7b51\u7ed3\u6784\u65b9\u5f0f\u53cd\u6620\u4e86\u53e4\u4ee3\u5b97\u6cd5\u793e\u4f1a\u7ed3\u6784\u7684\u6e05\u6670\u3001\u6709\u5e8f\u548c\u7a33\u5b9a\u3002\u53e4\u4ee3\u5efa\u7b51\u7531\u4e8e\u6728\u8d28\u6750\u6599\u5236\u4f5c\u7684\u6881\u67f1\u4e0d\u6613\u5f62\u6210\u5de8\u5927\u7684\u5185\u90e8\u7a7a\u95f4\uff0c\u53e4\u4ee3\u5efa\u7b51\u4fbf\u5de7\u5999\u5730\u5229\u7528\u5916\u57e0\u81ea\u7136\u7a7a\u95f4\uff0c\u7ec4\u6210\u5ead\u9662\u3002\u5ead\u9662\u662f\u5efa\u7b51\u5730\u57fa\u672c\u5355\u4f4d\uff0c\u5b83\u65e2\u662f\u5c01\u95ed\u7684\uff0c\u53c8\u662f\u5f00\u653e\u7684\uff1b\u65e2\u662f\u4eba\u5de5\u7684\uff0c\u53c8\u662f\u81ea\u7136\u7684\uff0c\u53ef\u4ee5\u4fef\u690d\u82b1\u8349\u6811\u6728\uff0c\u4ef0\u89c2\u98ce\u4e91\u65e5\u6708\uff0c\u6210\u4e3a\u53e4\u4eba&ldquo;\u5929\u4eba\u5408\u4e00&rdquo;\u89c2\u5ff5\u7684\u53c8\u4e00\u8868\u73b0\uff0c\u4e5f\u4f53\u73b0\u4e86\u4e2d\u56fd\u4eba\u65e2\u542b\u84c4\u5185\u5411\uff0c\u53c8\u5f00\u62d3\u8fdb\u53d6\u7684\u6c11\u65cf\u6027\u683c\u3002\u4e2d\u56fd\u53e4\u4ee3\u5efa\u7b51\u54c1\u7c7b\u7e41\u76db\uff0c\u5305\u62ec\u5bab\u6bbf\u3001\u9675\u56ed\u3001\u5bfa\u9662\u3001\u5bab\u89c2\u3001\u56ed\u6797\u3001\u6865\u6881\u3001\u5854\u5239\u7b49\u3002<\/p>\n<p>  \u56ed\u6797\u5efa\u7b51<br \/>  &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 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