{"id":12422,"date":"2019-11-21T22:17:16","date_gmt":"2019-11-21T22:17:16","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/jinge-jin-ge\/"},"modified":"2019-11-21T22:17:16","modified_gmt":"2019-11-21T22:17:16","slug":"jinge-jin-ge","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/fr\/jinge-jin-ge\/","title":{"rendered":"Jinge \u9526\u6b4c"},"content":{"rendered":"
\u65f6\u95f4\uff1a2006\u5e74
Time: 2006
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Category: Folk Vocal Art Forms
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Region: Fujian Province
\u7f16\u53f7\uff1a\u2164-26
Ref. No.: V-26
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Nominating unit[s]: Zhangzhou City, Fujian Province
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Jinge is an im<\/em>portant folk music style, which is quite popular on the South Fujian Plain including Zhangzhou as the center, Xiamen, Jinjiang, and Longxi, and even in Taiwan Province. It was formerly known as "Zajinge", and "Jinge" is the common name for short. It was originated in late Ming Dynasty and early Qing Dynasty and flourished in the mid-Qing Dynasty. Jinge and Quanzhou Nanyin are known as "twin sisters" when it comes to South Fujian folk art. After 1940s, Jinge, however, began to fall out of favor.
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Jinge is performed in the form of players sitting around and singing accompanied by the synchro<\/em>nous playing of Chinese lute, Chinese bamboo flute, two-stringed lyre, three-stringed lyre, wooden knocker and double bell. The vocal music is extensive and complex in style, which includes the main melody of commonly-used "Wukongzai" and "Sikongzai", the reciting melody of "Zasuizai" and "Nianzazai", the melody of "Zage" and "Huadiaozai" borrowed from its "twin sister" folk art, and many other styles. The most famous traditio<\/em>nal shows of Jinge include Chen San and Wu Niang, Xue-Mei Qin, Tales of Liang Shanbo and Zhu Yingtai, Lady Mengjiang, Miao Chang Yuan, Dong Yong, Lu Mengzheng, etc. Jinge is all-inclusive in terms of singing style. It demo<\/em>nstrates the open character of embracement and inclusiveness, as well as eclectic and pio<\/em>neering spirit of the people living in the prevailing regions of Jinge.
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Jinge took root among the folk people. Its lyrics are popular and easy to understand while its melody is sweet and smooth with a strong local flavor. During the late Ming Dynasty and early Qing Dynasty, Jinge was introduced into Taiwan after Zheng Chenggong recovered Taiwan, and it was mixed with the local folk so<\/em>ngs and popular tunes and hence formed a new form called "Changgezai". It can be seen from this that Jinge has played an im<\/em>portant role in nurturing and generating its twin-sister folk art.
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As time goes by, people nowadays are having less and less interest in Jinge. There has been a crisis that it may become extinct at any time. Hence, we must find ways to protect this art from being lost.
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