{"id":6073,"date":"2019-11-16T01:37:59","date_gmt":"2019-11-16T01:37:59","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/qingyang-perfume-sachets-qing-yang-xiang-bao-xiu-zhi\/"},"modified":"2019-11-16T01:37:59","modified_gmt":"2019-11-16T01:37:59","slug":"qingyang-perfume-sachets-qing-yang-xiang-bao-xiu-zhi","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/fr\/qingyang-perfume-sachets-qing-yang-xiang-bao-xiu-zhi\/","title":{"rendered":"Qingyang Perfume Sachets \u5e86\u9633\u9999\u5305\u7ee3\u5236"},"content":{"rendered":"
\u65f6\u95f4\uff1a2006\u5e74
Time: 2006
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Category: Folk Art
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Region: Gansu Province
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Ref. No.: \u2166-26
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Nominating unit[s]: Qingyang city, Gansu Province
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Qingyang is situated in the farthest eastern part of Gansu Province, or on the Loess Plateau along the middle and upper reaches of the Yellow River, and is the intersection of Shaanxi, Gansu and Ningxia provinces. It was o<\/em>nce named as Beidijun (North County) in the Qin Dynasty, Qingzhou in the Sui Dynasty and Qingyang Prefecture in the Song Dynasty. Qingyang perfume sachet, also known as Chuchu, is a kind of folk item that is popular among local people in the Qingyang area.
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Preparing and wearing Chuchu during the Dragon Boat Festival has long become a custom among the people living in the Qingyang area. (Chu was originally referred to a sewing method with bone needles and was later borrowed to refer to using cloth to sew a kind of bag wher its opening can either be tightened or loosened.) However, the time when this custom first took place has yet to be studied and verified. It is said that this custom was formed at a time earlier than 2300 BC when Qi Bo (the author of the Medical Classic of the Yellow Emperor) was carrying a bag of herbal medicine that could prevent epidemic and plague and prohibit snake venom, and hence the "fumigation treatment" was created. Since Qi Bo was born in Qingyang, this treatment had gradually become a custom, which has been passed on from generation to generation. The herbal medicine was called "perfume herb" and therefore, the medicine bag was called "perfume sachet" or "Chuchu". Qingyang perfume sachet flourished and became a preferred item to be worn or given as a gift by people during the Ming and Qing dynasties. Before the 1960s, the embroidery of Qingyang perfume sachet was a common skill to every household and most Qingyang girls started needlework at the age of seven or eight. The custom of making and wearing Qingyang perfume sachets, however, began to turn sour in the 1960s. For the past two decades, the custom of embroidering Qingyang perfume sachets has begun to recover. In 2002, Qingyang was named by China Folklore Society as the "Town of Perfume Sachet Embroidery" .
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Qingyang perfume sachet is a 100% handmade craftwork which has a three-dimensio<\/em>nal shape compatible with flat embroidery. It is simple in structure and can be divided by production techniques into four categories, namely "Chuchu", thread coil, three-dimensio<\/em>nal embroidery and flat embroidery. "Chuchu" is also known as hidden embroidery, wherin the needlework is hidden so as for the sachet to take shape and achieve the ideal effect of unifying form and spirit without seeing the needlework. The process comprises design, selecing materials, cutting, shaping, etc. The thread coil sachet is a pentagon-shaped "dumpling" formed by coiling up colored threads, and its process co<\/em>nsisting of folding shells, matching color stitches, shaping of coiled thread, finishing (i.e. clustering the made-up thread coil and hanging on the color ear) etc, so that the finished sachet can be worn on the person, hung on doors and given to others as a gift to symbolize harmony and peace. The three-dimensio<\/em>nal embroidery sachet comes in many styles and shapes. It has nearly 400 styles including single-sided hanging and wearing parts, double-sided hanging and wearing parts, three-dimensio<\/em>nal hanging parts and decorative items etc. Its production process comprises composition, embroidery, color dyeing, stitching, finishing etc, and its process steps include drawing a plane figure, making the plane figure, using paste to stick the cloth o<\/em>nto the made-up back, drawing patterns on the broken-down parts according to the plane figure patterns, embroidering, shaping, finishing, decorating etc. The finished product lays a special stress on the similarity of spirit rather than that of shape. Flat-embroidery sachet is in solid and dignified style, wheras in this solidness shows something meaningful. It can be made by way of broken line embroidery, cooperative embroidery, pick-up embroidery and homogeneous stitches, braided stitches, close and straight stitches, mixed stitches, rushing stitches, pulling stitches, spiral gold stitches, point gold stitches, circle gold stitches or other methods.
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Qingyang perfume sachet is a traditio<\/em>nal craftsmanship, and nowadays the main successors to this craftsmanship include Li Xiu’e and He Meiying etc. At present, the embroidery of Qingyang perfume sachet is facing a grim situation in which handmade products are a<\/em>bout to be replaced by modern replicas. Embroidery techniques have gradually been losing. The very small number of craftsmen with knowledge of folk culture has virtually retired and there is a critical shortage of researchers and a lack of qualified successors. Hence, urgent measures are required to save and protect this craftsmanship from being lost.
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