{"id":6090,"date":"2019-11-16T18:37:33","date_gmt":"2019-11-16T18:37:33","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/yingge-dance-ying-ge\/"},"modified":"2019-11-16T18:37:33","modified_gmt":"2019-11-16T18:37:33","slug":"yingge-dance-ying-ge","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/fr\/yingge-dance-ying-ge\/","title":{"rendered":"Yingge Dance\u82f1\u6b4c"},"content":{"rendered":"
\u65f6\u95f4\uff1a2006\u5e74
Time: 2006
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Category: Folk Dance
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Region: Guangdong Province
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Ref. No.: III-8
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Yingge Dance, also known as “Eagle Dance,” “Parrot Dance,” “Sung Dance of Heroes,” or “Yangge,” is a folk square dance combining dance, Nanquan martial arts routine, and traditio<\/em>nal opera acting. Its Performances, popular in areas including Guangdong and Fujian Provinces, are full of grand momentum and intensity. It is performed by men and has a tradition of praising heroes. It is said that Yingge Dance has a history of over 300 years, and its origins are usually traced back to a variation on the local people’s martial arts customs or to performances of the Outlaws of the Marsh stories. Usually performed during festivals, the dance usually involves an even number of dancers, from at least 12 dancers up to as many as 108 ones. Each dancer wields a pair of colored wooden sticks in coordination with drumbeats and cries, waving, crossing, flipping, and tapping the sticks, while walking. Performances are divided into two parts; the former part is “the major part” and the latter part is “the minor part”. The Major part involves the drum performance and the actual Yingge dance; the latter part involves a variety of distinctive opera plays and specialty programs. During the dance, each person wields a pair of short, rounded wooden sticks (diameter: 10cm, length: 20cm) with both feet in a “horse riding posture,” and then lifts his legs to leap horizontally, with both of his hands wielding the sticks, upwards and downwards, left and right, in coordination with the drumbeats, and his head and body naturally swaying along. The rhythms of the Yingge Dance have three tempos: slow, moderate, or fast. Sometimes, there are as many as 20 sets of routines, including “washing the street,” “greeting the new year,” “bunian,” “carrying the stick", “passing through between legs,” and “holding the stick; hooking the foot” etc. Yingge Dance is full of a distinctive masculine and heroic atmosphere. As the dance reaches its climax, and cries and trumpets fill the air, a great momentum is let loose and it is very thrilling.
\u82f1\u6b4c•\u666e\u5b81\u82f1\u6b4c
Yingge Dance-Puning Yingge Dance
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Nominating Unit[s]: Jieyang City, Guangdong Province
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Yingge Dance is a popular form of folk dance among the people of Puning. To date, it has a more than 300-year history, and is co<\/em>nsidered a symbol of a positive evil-repelling force and good fortune. It is very popular and admired, with a broad mass and social foundation.
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Puning Yingge Dance is a magnificent, masculine group dance of the Han nationality. It mainly displays lofty and heroic sentiments and fighting spirits of the heroes in Liangshanpo in their attack on the Daming Mansion. Performers can number 24 or 36 people at least, as many as 72, or at most 108 people. Distinctive facial makeup, made ba<\/em>sed on the heroic images of Lianghanpo, wearing the clothing of warriors, tight-fitting jackets and trousers, and armed with two special short sticks, dancers tap in dance along with the rhythm of cries and drumbeats and co<\/em>nch calls. During the performance, the dancers’ formation goes through a wealth of variations, including “two dragons going out to sea,” “the fierce tiger descending the mountain”, “ears of wheat”, and “the spiral shape of the field snail” etc. A great variety of dance routines, such as “butian” , “washing the street", “spinning sticks” and "waving sticks with patterns" etc., make performances dynamic, grand, and magnificent. The performance style of Puning Yingge Dance is fierce, wild, heroic, and full of power, reflecting the daring, strong, and courageous character and spirit of the Chinese people and their strong sense of solidarity.
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The exceptio<\/em>nal spiritual, social, and artistic values of Puning Yingge Dance have attracted the attention of specialists and gained it a reputation immortalized in the saying “the north has the Ansai Waist-Drum Dance; the south has Puning Yingge Dance”. Puning has also been named the “Home of Guangdong ethnic and folk art.”
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Currently, due to the uneven eco<\/em>nomic development in rural areas and the aging of inheritors of this art, Puning Yingge Dance is suffering from a succession gap, with its performer team slowly shrinking. This folk dance is on the edge of extinction and in urgent need of protection.
\u82f1\u6b4c•\u6f6e\u9633\u82f1\u6b4c
Yingge Dance-Chaoyang Yingge Dance
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Nominating Unit[s]: Shantou City, Guangdong Province
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Chaoyang Yingge Dance is a Han natio<\/em>nality square dance and a co<\/em>ntinuation of nuo culture, an ancient culture to drive out demons and repel evils. In this co<\/em>ntinuation of nuo culture, changes have always taken place. During the Ming Dynasty, it was influenced by the northern Drum Yangge, and gradually evolved into the Yingge Dance, finally becoming the Chaoyang region’s folk dance art with a unique form of ex<\/em>pression. Chaoyang Yingge Dance, a combination of drama, dance, and martial arts, is extremely masculine. In practice, it has formed various styles differed by rhythm. Generally speaking, there are the slow, moderate, and fast Yingge Dance.
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Slow Yingge Dance has a relatively slow rhythm and the dancing sticks used are lo<\/em>nger than those of the other styles. Basic dance involves waving the dance sticks three times or four times composing of a set of actions. Intensity lies in its slow rhythm, and power lies in its intensity. It shows imposing simplicity as well as beauty and grace. There is also “drunken stick” Yingge Dance, wher the dancers act like drunkards, displaying a distinctive grace. Slow Yingge Dance is mainly popular in Wenguang, Mianbei, and Chengnan.
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The rhythm of moderate Yingge Dance is slightly faster than slow Yingge Dance. Its basic dance involves beating five or seven times with dance sticks (Yingge Dance) composing of a set of actions respectively. Sometimes, it involves beating eight, ten, eleven or thirteen times with dancing sticks composing of a set of actions respectively. The drumbeats in moderate Yingge Dance are drastically different from those in slow Yingge Dance. The former co<\/em>ntains pauses and stretches between drumbeats while the latter remains continuous. Moderate Yingge Dance is also mainly popular in Wenguang, Mianbei, and Chengnan. Its special features are revealing pizazz in the midst of steadiness, and sophistication in simplicity.
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Fast Yingge Dance has a rapid tempo with rapid, clear drumbeats, following the opening and closing of ranks in various changes of formation. The dancing stick is fairly short, making it easy to wield. Fast Yingge Dance is generally divided into three forms: the “sparring sets,” “Nanshan gentle school,” and the “Nanshan martial school” forms.
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Today, performance of Chaoyang Yingge Dance is still widespread and growing. The main inheritors of this dance include Hong Feiying, Guo Yaoyang, Chen Hanlong, Yao Xinta, Yang Wei, Zhou Xiuxing, Chen Kunli, and Lin Abao etc. Stro<\/em>ngly influential and widely distributed, almost every town (street) has a Yingge troupe; some towns even have several Yingge troupes of different styles and age structures. In November 1996, the Ministry of Culture named Chaoyang the “home of Chinese folk art.”
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Rapid eco<\/em>nomic and social changes have led to dramatic changes in the cultural environment, and as a result, Chaoyang Yingge Dance has lost its former glory. It is on the verge of being lost and in urgent need of protection.
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Inheritor(s):
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Chen Laifa and Yang Wei
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