{"id":6096,"date":"2019-11-17T00:51:19","date_gmt":"2019-11-17T00:51:19","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/xigaze-zhashilunbu-temple-cham-ri-ka-ze-zha-shen-lun-bu-si-qiang-mu\/"},"modified":"2019-11-17T00:51:19","modified_gmt":"2019-11-17T00:51:19","slug":"xigaze-zhashilunbu-temple-cham-ri-ka-ze-zha-shen-lun-bu-si-qiang-mu","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/fr\/xigaze-zhashilunbu-temple-cham-ri-ka-ze-zha-shen-lun-bu-si-qiang-mu\/","title":{"rendered":"Xigaz\u00ea Zhashilunbu temple cham \u65e5\u5580\u5219\u624e\u4ec0\u4f26\u5e03\u5bfa\u7f8c\u59c6"},"content":{"rendered":"
\u65f6\u95f4\uff1a2006\u5e74
Time: 2006
\u7c7b\u522b\uff1a\u6c11\u95f4\u821e\u8e48
Category: Folk Dance
\u5730\u533a\uff1a\u897f\u85cf
Region: Tibetan Auto<\/em>nomous Region
\u7f16\u53f7\uff1a\u2162-22
Ref. No.: \u2162-22
\u7533\u62a5\u5730\u533a\u6216\u5355\u4f4d\uff1a\u897f\u85cf\u81ea\u6cbb\u533a
Nominating unit[s]: Tibetan Auto<\/em>nomous Region
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Cham, also called tiaoshen (dancing for the gods) is a religious dance. Semo qinmu cham is the Gelug-pa (a school of Tibetan Buddhism) cham that is performed by the mo<\/em>nks of Tashilhunpo Temple in Xigazê Region, Tibet. In Tibetan, "semo" means appreciating; "qinmu" means large scale; and thus "semo qinmu cham" means appreciating large scale religious dances.
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In 1617 (the Fire-Snake year of the 10th cycle in the Tibetan calendar) when Lobsang Ch?kyi Gyaltsen (the fourth Panchen Lama of Tibet) served in his post, Zhashilunbu Temple established the Ngaba Zhacang (Tantric School). In 1647 (the Fire-Dog year of the 11th cycle in the Tibetan calendar) when he was 78 years old, he developed ritual procedures for a guardian of Buddhism Chibala (one of the servants of the Six-Arm Wisdom King, and one of the gods guarding the East) to exorcise and avoid calamity, according to the dance named "Eight Forms of Padmasambhava" that was performed each year during the religious festival quzu at the Samye Monastery. He also developed the guduo (exorcism) cham to perform each year on the 29th day of the 12th mo<\/em>nth in the Tibetan calendar at the Zhashilunbu Temple. The guduo (exorcism) cham is the predecessor of Semo qinmu cham. In 1862 (the Water-Dog year of the 14th cycle in the Tibetan calendar), Palden Tenpai Nyima, the Seventh Panchen Lama of Tibet, participated in several ritual activities in Lhasa, and showed great interest in the previous canons of the Tibetan Temples. After he went back to Zhashilunbu Temple, he built the Deqing gesang pozhang (new palace). He also absorbed many co<\/em>ntents from the cham of Lamu Temple, Caigo<\/em>ngtang Temple, Lhozhag Temple, Dangyailing Temple, Muru Temple and Cejoiling Temple, and formally developed the Semo qinmu cham ba<\/em>sed on the cham performed by Ngaba Zhacang. The new cham is still performed by the mo<\/em>nks of Zigong Dratsang to this day.
\u4f5c\u4e3a\u7f55\u89c1\u7684\u85cf\u4f20\u4f5b\u6559\u5b97\u5e99\u796d\u7940\u821e\u8e48\uff0c\u624e\u4ec0\u4f26\u5e03\u5bfa\u7f8c\u59c6\u5177\u6709\u8f83\u9ad8\u7684\u7814\u7a76\u4ef7\u503c\u3002
Tashilhunpo temple cham, as a rare sacrificial dance performed in Tibetan Buddhist temples, is of high research value.
\u76f8\u5173\u4f20\u627f\u4eba\uff1a
Inheritor(s):
\u5587\u561b·\u6b21\u4ec1 \u5587\u561b·\u7c73\u739b
Lama · Ciren and Lama · Mima
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