{"id":13420,"date":"2019-11-20T12:38:29","date_gmt":"2019-11-20T12:38:29","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/actors-and-singers-yan-yuan-he-ge-shou\/"},"modified":"2019-11-20T12:38:29","modified_gmt":"2019-11-20T12:38:29","slug":"actors-and-singers-yan-yuan-he-ge-shou","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/th\/actors-and-singers-yan-yuan-he-ge-shou\/","title":{"rendered":"Actors and Singers\u6f14\u5458\u548c\u6b4c\u624b"},"content":{"rendered":"
\n

This song’s name is very interesting. It was written by 28-year-old guitarist, producer, and singer \u674e\u8363\u6d69 Li Ro<\/em>nghao and sung by him and 37-year-old actor and singer \u9648\u5764 Chen Kun. Li Ro<\/em>nghao has written so<\/em>ngs or worked as a producer for \u8d75\u8587 Vicki Chao aka Zhao Wei, \u4fe1 Shin, \u6768\u4e1e\u7433 Rainie Yang aka Yang Chenglin, \u5f20\u4fe1\u54f2 Jeff Chang aka Zhang Xinzhe, \u674e\u5b87\u6625 Chris Lee aka Li Yuchun, etc.<\/p>\n

Chen Kun gained recognition from the 2001 television drama Love in Shanghai and the 2002 film Balzac and the Little Chinese Seamstress. He rose to internatio<\/em>nal prominence with the 2006 film The Knot and the 2008 fantasy film Painted Skin, which also garnered him a Hundred Flowers Award for Best Actor.<\/p>\n

Chen was crowned “Asia’s Sexiest Male Vegetarian” by PETA this past June.<\/p>\n

Released on August 19th, this song discusses show business and the experiences of actors and singers in China.
 <\/p>\n

\u674e\uff1a \u4e00\u6247\u95e8 \u4e00\u76cf\u706f \u7ee7\u7eed\u770b\u6ca1\u6709\u770b\u5b8c\u7684\u5267\u672c
l\u01d0: yí shàn mén yì zh\u01cen d\u0113ng jì xù kàn méi y\u01d2u kàn wán de jù b\u011bn
Li: A door, a lamp, keep reading the s<\/em>cript I haven’t finished reading<\/p>\n

\u5feb\u5c3e\u58f0 \u5267\u592a\u6e29 \u8c01\u7528\u6587\u8a00\u6587\u54c0\u60bc \u8c01\u600e\u4e48\u727a\u7272
kuài w\u011bi sh\u0113ng jù tài w\u0113n shuí yòng wén yán wén \u0101i dào shuí z\u011bn me x\u012b sh\u0113ng
[Sometimes the story] ends fast, [sometimes it] is too slow. Who grieves in classical Chinese? How did who sacrifice?<\/p>\n

\u9648 \uff1a \u7ffb\u9605\u8fc7 \u7684\u751f\u6d3b \u6124\u6012 \u53d1\u5446 \u53d9\u8ff0 \u6c89\u9ed8 \u5570\u55e6
chén: f\u0101n yuè guò de sh\u0113ng huó fèn nù f\u0101 d\u0101i xù shù chén mò lu\u014d su\u014d
Chen: The life I have browsed – anger, daze, narration, silence, verbosity<\/p>\n

\u6ef4\u4e0a\u4e86 \u7eb8\u7684\u58a8 \u79ef\u96ea\u7684\u7a9d \u8682\u8681\u6ca1\u89c9\u5f97\u4e0d\u59a5
d\u012b shàng le zh\u01d0 de mò j\u012b xu\u011b de w\u014d m\u01ce y\u01d0 méi jué dé bù tu\u01d2
The ink dripped on the paper, the nest filled with snow, the ants don’t feel it’s improper<\/p>\n

\u5408\uff1a \u4e00\u676f\u6c34\u591a\u6e05\u6f88 \u8bb0\u5f97\u4e00\u5207\u662f\u9519 \u81ea\u5351\u6d41\u6cea\u662f\u6b63\u679c
hé: yì b\u0113i shu\u01d0 du\u014d q\u012bng chè jì dé yí qiè shì cuò zì b\u0113i liú lèi shì zhèng gu\u01d2
Both: How limpid a glass of water is, remembering everything is a mistake; tears of low self-esteem is the proper result<\/p>\n

\u5408\uff1a \u4ec0\u4e48\u6700\u4e0d\u72ec\u7279 \u4ec0\u4e48\u4e8b\u6df1\u523b \u6d41\u79bb\u6d6a\u8361\u6f14\u620f\u5531\u6b4c
hé: shén me zuì bù dú tè shén me shì sh\u0113n kè liú lí làng dàng y\u01cen xì chàng g\u0113
Both: What is the least unique? What is deep? Wandering and loitering acting and singing<\/p>\n

\u674e\uff1a \u6f14\u5458\u548c\u6b4c\u624b \u6362\u4e86\u955c\u5934\u6254\u6389\u4e86\u9ea6\u514b\u98ce
l\u01d0: y\u01cen yuán hé g\u0113 sh\u01d2u huàn le jìng tóu r\u0113ng diào le mài kè f\u0113ng
Li: Actors and singers, changing between lenses, throwing away the microphone<\/p>\n

\u9648\uff1a \u6f14\u5458\u548c\u6b4c\u624b \u8fd9\u620f\u53f0\u6ca1\u5206\u5de6\u53f3
chén: y\u01cen yuán he g\u0113 sh\u01d2u zhè xì tái méi f\u0113n zu\u01d2 yòu
Chen: Actors and singers, there is no left or right when it comes to the stage<\/p>\n

\u674e\uff1a \u6f14\u5458\u548c\u6b4c\u624b \u8fd9\u6837\u7684\u5e74\u5934 \u8bf4\u7406\u60f3\u6ca1\u591f \u4e5f\u4e0d\u662f\u4f5c\u79c0
l\u01d0: y\u01cen yuán hé g\u0113 sh\u01d2u zhè yàng de nián tóu shu\u014d l\u01d0 xi\u01ceng méi gòu y\u011b bú shì zuò xiù
Li: Actors and singers, in this day and age, talking a<\/em>bout dreams is not enough, neither is it [talking a<\/em>bout dreams] for publicity’s sake<\/p>\n

\u5408\uff1a \u5b66\u6587\u827a\u620f\u91cc\u7537\u4eba\u8bf4\u7684\u81ea\u7531
hé: xué wén yì xì l\u01d0 nán rén shu\u014d de zì yóu
Both: When it comes to learning [to pursue] the freedom spoken of by the men in the artistic dramas [non-action scenes in TV dramas or movies]<\/p>\n

\u674e\uff1a \u4ed6\u4eec\u59cb\u7ec8\u8fd8\u5b66\u5f97\u4e0d\u597d\u8fd8\u4e0d\u591f
l\u01d0: t\u0101 men sh\u01d0 zh\u014dng hái xué de bù h\u01ceo hái bú gòu
Li: They [actors and singers] still haven’t learned well, learned enough
\u9648\uff1a \u4e00\u9996\u6b4c \u5728\u9644\u548c \u6ca1\u60f3\u5b66\u7740\u53ea\u662f\u542c\u7684\u592a\u591a
chén: yì sh\u01d2u g\u0113 z\u0101i fù hé m\u011bi xi\u01ceng xué zhe zh\u01d0 shì t\u012bng de tài du\u014d
Chen: The song I’m singing along to, didn’t intend to learn it, just heard it too many times<\/p>\n

\u521a\u526f\u6b4c \u5c31\u7ed3\u679c \u6ca1\u6709\u5b89\u5b81\u6ca1\u6709\u7231 \u5374\u591a\u4e86\u9009\u62e9
g\u0101ng fù g\u0113 jiù jié gu\u01d2 méi y\u01d2u \u0101n níng méi y\u01d2u ài què du\u014d le xu\u01cen zé
The chorus just began, but the song is ending. There’s no peace or love, but there come more choices<\/p>\n

\u674e\uff1a \u53c8\u6446\u9152 \u53c8\u5954\u6ce2 \u53c8\u795d\u8d3a\u6211\u53c8\u63a5\u6d4e\u4e86\u5a31\u4e50
l\u01d0: yòu b\u01cei ji\u01d4 yòu b\u0113n b\u014d yòu zhù hè w\u01d2 yòu ji\u0113 jì le yú lè
Li: Again the celebrations, again the running around, again co<\/em>ngratulating me on again assisting the entertainment [industry]<\/p>\n

\u751f\u4e86\u6839 \u5206\u4e86\u795e \u5929\u771f\u6f14\u7684\u5a40\u5a1c\u4e5f\u53ef\u4ee5\u8bda\u6073
sh\u0113ng le g\u0113n f\u0113n le shén ti\u0101n zh\u0113n y\u01cen de \u0113 nuó y\u011b k\u011b y\u01d0 chéng k\u011bn
Having taken root [in the show business], I’ve lost my soul, [I can] innocently perform grace, as well as sincerity<\/p>\n

\u5408\uff1a \u4e00\u676f\u6c34\u591a\u6e05\u6f88 \u8bb0\u5f97\u4e00\u5207\u662f\u9519 \u81ea\u5351\u6d41\u6cea\u662f\u6b63\u679c
hé: yì b\u0113i shu\u01d0 du\u014d q\u012bng chè jì dé yí qiè shì cuò zì b\u0113i liú lèi shì zhèng gu\u01d2
Both: How limpid a glass of water is, remembering everything is a mistake; tears of low self-esteem is the proper result<\/p>\n

\u5408\uff1a \u4ec0\u4e48\u6700\u4e0d\u72ec\u7279 \u4ec0\u4e48\u4e8b\u6df1\u523b \u6d41\u79bb\u6d6a\u8361\u6f14\u620f\u5531\u6b4c
hé: shén me zuì bù dú tè shén me shì sh\u0113n kè liú lí làng dàng y\u01cen xì chàng g\u0113
Both: What is the least unique? What is deep? Wandering loitering acting and singing<\/p>\n

\u674e\uff1a \u6f14\u5458\u548c\u6b4c\u624b \u6362\u4e86\u955c\u5934\u6254\u6389\u4e86\u9ea6\u514b\u98ce
l\u01d0: y\u01cen yuán hé g\u0113 sh\u01d2u huàn le jìng tóu r\u0113ng diào le mài kè f\u0113ng
Li: Actors and singers, changing between lenses, throwing away the microphone<\/p>\n

\u9648\uff1a \u6f14\u5458\u548c\u6b4c\u624b \u8fd9\u620f\u53f0\u6ca1\u5206\u5de6\u53f3
chén: y\u01cen yuán he g\u0113 sh\u01d2u zhè xì tái méi f\u0113n zu\u01d2 yòu
Chen: Actors and singers, there is no left or right when it comes to the stage<\/p>\n

\u674e\uff1a \u6f14\u5458\u548c\u6b4c\u624b \u8fd9\u6837\u7684\u5e74\u5934 \u8bf4\u7406\u60f3\u6ca1\u591f \u4e5f\u4e0d\u662f\u4f5c\u79c0
l\u01d0: y\u01cen yuán hé g\u0113 sh\u01d2u zhè yàng de nián tóu shu\u014d l\u01d0 xi\u01ceng méi gòu y\u011b bú shì zuò xiù
Li: Actors and singers, in this day and age, talking a<\/em>bout dreams is not enough, neither is it [talking a<\/em>bout dreams] for publicity’s sake–<\/p>\n

\u5408\uff1a \u5b66\u6587\u827a\u620f\u91cc\u7537\u4eba\u8bf4\u7684\u81ea\u7531
hé: xué wén yì xì l\u01d0 nán rén shu\u014d de zì yóu
Both: When it comes to learning [to pursue] the freedom spoken of by the men in the artistic dramas [non-action scenes in TV dramas or movies]<\/p>\n

\u5408\uff1a\u6f14\u5458\u548c\u6b4c\u624b \u6f14\u597d\u4e2a\u89d2\u8272\u5531\u9996\u597d\u6b4c
hé: y\u01cen yuán hé g\u0113 sh\u01d2u y\u01cen h\u01ceo gè jué sè chàng sh\u01d2u h\u01ceo g\u0113
Both: Actors and singers, play a role well, sing a good song<\/p>\n

\u5408\uff1a\u6f14\u5458\u548c\u6b4c\u624b \u4e0d\u8ba8\u597d\u5185\u5fc3\u7684\u81ea\u6211
hé: y\u01cen yuán hé g\u0113 sh\u01d2u bù t\u01ceo h\u01ceo nèi x\u012bn de zì w\u01d2
Both: Actors and singers, not pleasing the self in their hearts<\/p>\n

\u5408\uff1a\u6f14\u5458\u548c\u6b4c\u624b \u6162\u51e0\u6b65\u8fdf\u5230 \u8ffd\u4e22\u4e86\u81ea\u5632 \u6a21\u7cca\u4e86\u5bf9\u7126
hé: y\u01cen yuán hé g\u0113 sh\u01d2u màn j\u01d0 bù chí dào zhu\u012b di\u016b le zì cháo mó hu le duì ji\u0101o
Both: Actors and singers, [if] slow a few steps, they’re late; [if] lost, they laugh at themselves, having blurred their focus [lost their goals]<\/p>\n

\u5408\uff1a\u4f38\u624b\u793a\u610f\u53cb\u597d\u5728\u51e0\u697c\u5fae\u7b11
hé: sh\u0113n sh\u01d2u shì yì y\u01d2u h\u01ceo zài j\u01d0 lóu w\u0113i xiào
Both: Waving the hand, on which floor are they friendly smiling?<\/p>\n

\u674e\uff1a\u592a\u53ef\u7231\u4f1a\u4e0d\u4f1a\u662f\u75c5\u4e86\u7684\u5f81\u5146
l\u01d0: tài k\u011b ài huì bú huì shì bìng le de zh\u0113ng zhào
Li: Is being too cute a sign of having become sick?<\/p>\n

 <\/p>\n<\/div>\n