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\tPoetry is a form of literary art in which language is used for its aesthetic and evocative qualities in addition to, or in lieu of, its apparent meaning.Chinese poetry has a long history and still popular today.<\/p>\n
\tFour-, five- and seven-character poetry are the most common forms of Chinese traditional poetries.Of the three forms, four-character poetry came to being at the earliest time.Feng <\/em>(The Book of Songs) and Ya <\/em>(Odes and Epics) of Book of Poetry(sh\u012b j\u012bng\u8bd7\u7ecf\uff09<\/strong>are basically four-character poetries. A lot of four-character poetries were also found in some other ancient books and records before the Han Dynasty (206BC-220AD) such as The Records of the Great Historian\uff08<\/em>sh\u01d0 jì \u53f2\u8bb0\uff09 <\/em><\/strong>and Zuo's Commentary to the Spring and Autumn Annals<\/em>. Therefore, it is obvious that four-character poetry was the prevailing from of poems both for entertainment and sacrifice in the whole society from the Western Zhou Dynasty (11th<\/sup>century BC-711BC) to the Spring and Autumn Period (770-476BC).<\/p>\n \t• Four-characrer<\/p>\n \tFour-character poetry gradually declined after the Spring and Autumn Period, but a lot of people still wrote in this form, such as Cao Cao and his sons as well as Ji Kang in the Three Kingdoms Periods (220-280), Lu Ji, Lu Yun and Tao Yuanming in the Jin Dynasty (265-420). Among theoir works, some excellent ones are still popular today.<\/p>\n \t•Five-character<\/p>\n \tFive-character poetry also has an early origin. In <\/strong>Shijing<\/em>(Book of Poetry), there were some five-character poems, but their formal rise was in the Han Dynasty (206BC-220AD). Compared with four-character poetry, the five-character poetry has an additional rhyme, and thus has a bigger capacity for expressions and more space for the variations in the line.<\/p>\n \tThere was significant development both in folklores and literary works in the Eastern Han Dynasty (25-220). Ban Gu was the first intellectual that engaged himself in writing five-character poetry, which marked the beginning for literati to learn new forms from folk art. Later, five-character poetry attained a very high level with the emergence of abundant poems. In the reign of Jian'an in the Three Kingdoms Period, five-character poetry entered its booming period and overwhelmed four-character poetry.<\/p>\n \t•Seven-character<\/p>\n \tSeven-character poetry also originated in Shijing <\/em>(Book of Poetry),The Poetry of four griefs \uff08sì chóu sh\u012b \u56db\u6101\u8bd7\uff09<\/strong>by Zhang Heng in the Eastern Han Dynasty was the earliest work of seven-character poetry by intellectuals, and Sumptuous Feasting Song\uff08yàn g\u0113 háng\u8273\u6b4c\u884c\uff09 <\/strong>by Cao Pi is generally considered the first mature work of seven-character poetry. In the Wei and Jin dynasties (220-420), this form of poetry was not considered as important as five-character poetry. In the early Tang Dynasty (618-907), seven-character poetry began to prevail and some excellent works appeared.<\/p>\n \tThis form has more characters than four- and five-character poetry, and can express more complicated and complete ideas with a longer and slower intonation. After the Tang Dynasty, five-character and seven-character became the principal forms of traditional poetry and four-character poetry was on the decline as time went by.<\/p>\n<\/p>\n \tKey Words:<\/strong><\/p>\n \t\u300a\u8bd7\u7ecf\u300b