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“Wiping” is to spread the paint over the face while performing. The paint is put on a certain part of the face in advance. “Blowing” is only employed when powder cosmetics are used. On the stage, a tiny box with powder cosmetics in it is placed before hand. A movement of prostration near the box will enable the performer to blow the powder onto his face. When one is going to use the “pulling” technique he has to draw facial masks on fine pieces of silk cloth, cut them into the right size, tie a thin thread to each mask and stick them onto his face before the performance. The threads are fastened to somewhere hidden in his costumes. Many performers prefer to tie them onto their waistbands. When performing, the artist would pull the mask off one after another under the cover of various dancing movements.<\/div>\n
\t<\/p>\n
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In practice, the first method of the three is most employed because it is the simplest, while “blowing” is relatively more complicated since one has to close his eyes and shut up his mouth when blowing in case the powder would fly into his eyes and mouth so the performance would not be continued. However, “pulling” is the most troublesome among the three skills. The dancing movements have to be natural and the action of pulling should be invisible to the audience. If the audience sees through the trick of face changing, they would probably get dissatisfied and pull a face too!<\/div><\/p>\n