{"id":6106,"date":"2019-11-17T10:42:24","date_gmt":"2019-11-17T10:42:24","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/korean-nationality-nonglewu-chao-xian-zu-nong-le-wu\/"},"modified":"2019-11-17T10:42:24","modified_gmt":"2019-11-17T10:42:24","slug":"korean-nationality-nonglewu-chao-xian-zu-nong-le-wu","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/th\/korean-nationality-nonglewu-chao-xian-zu-nong-le-wu\/","title":{"rendered":"Korean nationality nonglewu \u671d\u9c9c\u65cf\u519c\u4e50\u821e"},"content":{"rendered":"
\u65f6\u95f4\uff1a2006\u5e74
Time: 2006
\u7c7b\u522b\uff1a\u6c11\u95f4\u821e\u8e48
Category: Folk Dance
\u5730\u533a\uff1a\u8fbd\u5b81\uff0c\u5409\u6797
Region: Liao<\/em>ning Province, Jilin Province
\u7f16\u53f7\uff1a\u2162-24
Ref. No.: \u2162-24
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No<\/em>nglewu (farmers’ dance), also called nongle, is popular among members of the Korean natio<\/em>nality in Jilin, Heilo<\/em>ngjiang and Liao<\/em>ning Provinces. It dates back to the time of ancient Korea when people offered traditio<\/em>nal sacrifices to the God of Land to pay homage to nature at the time of sowing in spring and harvesting in autumn. No<\/em>nglewu is a comprehensive folk art of the Korean natio<\/em>nality that integrates music, dancing and singing. Originating from farming, it is a typical folk practice of the Korean natio<\/em>nality that had sacrificial elements in ancient times. No<\/em>nglewu has two kinds of performances: episodic performances in the form of dances and miming actions, and mass performances in the form of passio<\/em>nate and diversified traditio<\/em>nal dances that are performed at the beginning of the New Year and during harvest celebrations. The performance co<\/em>nsists of 12 parts, such as xiaoguwu (small drum dance) performed by young men, dieluohan (human pyramid) performed by kid dancers, traditio<\/em>nal bianguwu (flat drum dance) performed by a group of dancers, changguwu (long drum dance) performed by women or men, shanwu (fan dance) which originated from wuwu (witch dance) and is performed on a large scale with many dancers holding fans, hewu (crane dance) which mimics cranes’ dancing, and xiangmaowu (spinning hat dance) which is performed last as the grand finale. The xiangmaowu (spinning hat dance) never fails to dazzle and excite audiences. Male dancers swing a 20-meter long tape tied to a hat with superb skill, making it so fast that the audience can hardly view the scene as a whole. The xiangmaowu is the most prominent symbol of nonglewu.
\u671d\u9c9c\u65cf\u519c\u4e50\u821e·\u8c61\u5e3d\u821e
Korean natio<\/em>nality no<\/em>nglewu (xiangmaowu)
\u7533\u62a5\u5730\u533a\u6216\u5355\u4f4d\uff1a\u5409\u6797\u7701\u5ef6\u8fb9\u671d\u9c9c\u65cf\u81ea\u6cbb\u5dde
Nominating unit[s]: Yanbian Korean Auto<\/em>nomous Prefecture, Jilin Province
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Local communities send their own grand dancing teams to attend the local celebration and perform the nonglewu. The dancing team is led by a flag that carries "agriculture is the basis of the world". Right after the flag, the commander of the team plays a small gong. The ho<\/em>nor guard of the dancing team then appears, with members holding Taepyeo<\/em>ngso (a Korean traditio<\/em>nal wind instrument), suona horns and drums. Members wear makeup in order to symbolize figures. After the ho<\/em>nor guard, teams of xiaoguwu (small drum dance), bianguwu (flat drum dance), shanwu (fan dance), hewu (crane dance), xiangmaowu (spinning hat dance), mask dance and mimes perform. The teams are not restricted in terms of size.
The xiangmaowu (spinning hat dance) is im<\/em>portant part of nonglewu, featuring diversified types and varied dancing skills. It can be classified into changxiangmao (spinning hat dance with long tapes), zho<\/em>ngxiangmao (spinning hat dance with medium tapes), duanxiangmao (spinning hat dance with short tapes), xianxiangmao (spinning hat dance with tape decoration), yuxiangmao (spinning hat dance with feather decoration), weibaxiangmao (spinning hat dance with tail-like decoration) and huohuaxiangmao (spinning hat dance with firefly decoration). The tape swinging skills include the left-right swing, front-back swing; swinging one tape, or two tapes, or even three tapes at the same time; and swinging the tape(s) when the dancer stands up, crouches down, kneels or throws himself on the ground. The tapes have different lengths, ranging from several chi (1\/3 meter) to several zhang (3 1\/3).
\u8c61\u5e3d\u821e\u662f\u6211\u56fd\u671d\u9c9c\u65cf\u7684\u4ee3\u8868\u6027\u821e\u8e48\uff0c\u5e94\u5f53\u59a5\u5584\u5730\u52a0\u4ee5\u4fdd\u62a4\u548c\u5229\u7528\u3002
The xiangmaowu (spinning hat dance) is of the representative dance of China’s Korean nationality. It has high cultural value and should be properly protected and promoted.
\u671d\u9c9c\u65cf\u519c\u4e50\u821e·\u4e5e\u7c92\u821e
Korean natio<\/em>nality no<\/em>nglewu (qiliwu)
\u7533\u62a5\u5730\u533a\u6216\u5355\u4f4d\uff1a\u8fbd\u5b81\u7701\u672c\u6eaa\u5e02
Nominating unit[s]: Benxi city, Liao<\/em>ning Province
\u6d41\u4f20\u4e8e\u8fbd\u5b81\u7701\u672c\u6eaa\u5e02\u6853\u4ec1\u53bf\u7684\u671d\u9c9c\u65cf\u4e5e\u7c92\u821e\u6709\u60a0\u4e45\u7684\u5386\u53f2\uff0c\u5b83\u6e90\u4e8e\u7948\u6c42\u519c\u4e1a\u4e30\u6536\u7684\u6c11\u4fd7\u6d3b\u52a8\uff0c\u539f\u662f\u519c\u4e50\u821e\u7684\u4e00\u79cd\uff0c\u968f\u7740\u65f6\u4ee3\u53d1\u5c55\uff0c\u9010\u6e10\u5f62\u6210\u878d\u81ea\u5a31\u6027\u548c\u8868\u6f14\u6027\u4e3a\u4e00\u4f53\u7684\u821e\u8e48\u3002
Korean natio<\/em>nality qiliwu, popular in Huanren County, Benxi City, Liao<\/em>ning Province, has a long history. It originates from the folk practice of praying for a plentiful harvest. Qiliwu, originally a form of nonglewu, has gradually evolved into a dance that integrates both recreation and performance characteristics.
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Qiliwu has traditio<\/em>nal patterns that are relatively fixed, but the performance is not restricted by such patterns. Dancers can dance according to their emotions, and thus, the performance is highly improvisational. When dancers are in high spirits, they will do their best to move the audience. For example, male dancers swing the tapes attached to their hats to produce beautiful traces; and female dancers play long drums as they rotate rapidly. They co<\/em>nvey their affection through their moving bodies and dance aesthetics. Veteran dancers focus not o<\/em>nly on the charms of the dance, but also on their postures. Veteran dancers present numerous postures, and fully illustrate their happiness through their improvisatio<\/em>nal dance. Qiliwu, which is performed by many dancers, boasts a wide-reaching influence. It is a representative collective dance for the farmers of the Korean nationality.
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The dance is usually performed during im<\/em>portant festivals or large events, such as one year-old birthday, 60 year-old birthday, 60th wedding anniversary, and wedding ceremonies, shop opening ceremonies, and temple co<\/em>nstructions and restorations. The performance is initiated and organized by the elders of the village. Qiliwu is mainly passed on by the senior members of a community to the younger generation.
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Qili nonglewu, compared with no<\/em>nglewu that is performed when offering a sacrifice to the God of Land and no<\/em>nglewu which is performed for recreatio<\/em>nal purposes, is performed for the enjoyment of audiences. Qili no<\/em>nglewu enjoys a special status among the dances of the Korean natio<\/em>nality due to its complicated postures, refined movements and difficult skills. However, this ancient art is in jeopardy of being lost due to the strong impact of modern civilization and the death of old artists. Rescue and protection efforts are urgently required.
\u76f8\u5173\u4f20\u627f\u4eba\uff1a
Inheritor(s):
\u91d1\u660e\u6625 \u91d1\u660e\u7115 \u97e9\u594e\u6607
Jin Mingchun, Jin Minghuan, Han Kuisheng
<\/div>\n