{"id":8897,"date":"2019-11-13T10:48:08","date_gmt":"2019-11-13T10:48:08","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-reading\/qianjiashi-qian-jia-shi-quot-poems-of-one-thousand-writers-quot\/"},"modified":"2019-11-13T10:48:08","modified_gmt":"2019-11-13T10:48:08","slug":"qianjiashi-qian-jia-shi-quot-poems-of-one-thousand-writers-quot","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/th\/qianjiashi-qian-jia-shi-quot-poems-of-one-thousand-writers-quot\/","title":{"rendered":"Qianjiashi \u5343\u5bb6\u8bd7 &quot;Poems of One Thousand Writers&quot;"},"content":{"rendered":"<div>&nbsp;The Qianjiashi \u5343\u5bb6\u8bd7 &quot;Poems of one thousand writers&quot; is an anthology of poems from the Tang \u5510 (618-907), Five Dynasties\u4e94\u4ee3 (907-960) and Song \u5b8b (960-1279) periods. The complete title of the collection is Fenmen leizuan Tang-So<em><\/em>ngshi xian qianjia shixuan \u5206\u95e8\u7e82\u7c7b\u5510\u5b8b\u65f6\u8d24\u5343\u5bb6\u8bd7\u9009 &quot;seleced poems of one thousand excellent authors from the Tang and Song periods, arranged in various categories&quot;. It was compiled by the Southern Song period \u5357\u5b8b (1127-1279) scholar Liu Kezhuang \u5218\u514b\u5e84. Following his scholarly style name, Houcun \u540e\u6751, the anthology is also called Houcun Qianjiashi \u540e\u6751\u5343\u5bb6\u8bd7. It is 22 juan &quot;scrolls&quot; long and is divided into 14 chapters.<\/p>\n<p>  The Qianjiashi has been revised and newly arranged by Wang Xiang \u738b\u76f8 as Xinjuan wuyan qianjia shi \u65b0\u954c\u4e94\u8a00\u5343\u5bb6\u8bd7, o<em><\/em>nly including 84 poems with five-syllable verses (wuyan shi \u4e94\u8a00\u8bd7) written by 50 authors. Another extraction has been made by Xie Fangde \u8c22\u678b\u5f97 who o<em><\/em>nly seleced poems with seven-syllable verses (qiyan shi \u4e03\u8a00\u8bd7). His book is called Cho<em><\/em>ngding qianjiashi \u91cd\u8ba2\u5343\u5bb6\u8bd7 or Qiyan qianjiashi \u4e03\u8a00\u5343\u5bb6\u8bd7 and was commented by Wang Xiang. It includes 140 poems of more than 80 writers (inlcuding two poems of Ming period \u660e [1368-1644] persons). Both books are 2 juan long, the first including short poems (jueju \u7edd\u53e5), the latter regular poems (l&uuml;shi \u5f8b\u8bd7).<\/p>\n<p>  Another version of the Qianjiashi also attributed to Xie Fangde, and the most common one, is 4 juan long, each juancorrespo<em><\/em>nding to one chapter. The poems in this version are arranged in the categories five-syllable short poems (wuyan jueju \u4e94\u8a00\u7edd\u53e5), five-syllable regular poems (wuyan l&uuml;shi \u4e94\u8a00\u5f8b\u8bd7), seven-syllable short poems (qiyan jueju \u4e03\u8a00\u7edd\u53e5) and seven-syllable regular poems (qiyan l&uuml;shi \u4e03\u8a00\u5f8b\u8bd7). The greatest part of the poems has been written by Song period authors. The Qianjiashi has always been used as a textbook for elementary learning. In 1706 the Xie extract was printed by Cao Yin \u66f9\u5bc5, the first part including 85 short poems, the second part 38 regular poems.<\/p>\n<p>  &nbsp;Together with the textbooks Sanzijing \u4e09\u5b57\u7ecf &quot;Three-characters classic&quot; and Baijiaxing \u767e\u5bb6\u59d3 &quot;Hundred family names&quot;, theQianjiashi was called the San-Bai-Qian \u4e09\u767e\u5343 &quot;Three-and-hundred-and-thousand&quot;.<\/p>\n<p>  There is a supplement to the common Qianjiashi versions called Xiaoxue Qianjiashi \u5c0f\u5b66\u5343\u5bb6\u8bd7. It was compiled by a scholar called Qiyun shanren \u5bc4\u4e91\u5c71\u4eba &quot;Mountain-dweller dispatching the clouds&quot; or Liangqihaizhai xueren \u6881\u6eaa\u6d77\u658b\u5b66\u4eba &quot;Scholar from the Hermitage of the bridges, creeks and the sea&quot;. A great part of the poems have been written by the compiler himself. The poems have a very simple nature and are apparently specially designed for elementary learning.<\/p>\n<p>  &nbsp;<\/p>\n<p>  Co<em><\/em>ntents of the original Qianjiashi<\/p>\n<p>  \u65f6\u4ee4 Shiling The seasons<br \/>  \u8282\u5019 Jiehou Time<br \/>  \u6c14\u5019 Qihou Weather<br \/>  \u663c\u591c Zhouye Day and night<br \/>  \u767e\u82b1 Baihua Flowers<br \/>  \u7af9\u6797 Zhulin Bushes and trees<br \/>  \u5929\u6587 Tianwen Astonomy<br \/>  \u5730\u7406 Dili Geography<br \/>  \u5bab\u5ba4 Go<em><\/em>ngshi Palaces and buildings<br \/>  \u5668\u7528 Qiyong Tools and objects<br \/>  \u97f3\u4e50 Yinyue Music<br \/>  \u79bd\u517d Qinshou Birds and beasts<br \/>  \u6606\u866b Kunchong Creeping animals<br \/>  \u4eba\u54c1 Renpin Human affairs<br type=\"_moz\" \/><\/div>\n<div class=\"chine-tie-zi-nei-rong-zhi-hou\" id=\"chine-953965804\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-1889418300638825\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block;\" data-ad-client=\"ca-pub-1889418300638825\" \ndata-ad-slot=\"7273022922\" \ndata-ad-layout-key=\"-gw-3+1f-3d+2z\"\ndata-ad-format=\"fluid\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>&nbsp;The Qianjiashi \u5343\u5bb6\u8bd7 &quot;Poems of one thousand writers&quot; is an anthology of poems from the Tang \u5510 (618-907), Five Dynasties\u4e94\u4ee3<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-8897","post","type-post","status-publish","format-standard","hentry","category-chinese-reading"],"views":260,"_links":{"self":[{"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/posts\/8897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/comments?post=8897"}],"version-history":[{"count":0,"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/posts\/8897\/revisions"}],"wp:attachment":[{"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/media?parent=8897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/categories?post=8897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chinesemoment.com\/th\/wp-json\/wp\/v2\/tags?post=8897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}