{"id":14165,"date":"2019-11-22T09:05:14","date_gmt":"2019-11-22T09:05:14","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/traditional-drama-chuan-tong-xi-ju-puzhou-wooden-clappers-pu-zhou-bang-zi\/"},"modified":"2019-11-22T09:05:14","modified_gmt":"2019-11-22T09:05:14","slug":"traditional-drama-chuan-tong-xi-ju-puzhou-wooden-clappers-pu-zhou-bang-zi","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/vi\/traditional-drama-chuan-tong-xi-ju-puzhou-wooden-clappers-pu-zhou-bang-zi\/","title":{"rendered":"Traditional Drama \u4f20\u7edf\u620f\u5267 Puzhou Wooden Clappers \u84b2\u5dde\u6886\u5b50"},"content":{"rendered":"
\u65f6\u95f4\uff1a2006\u5e74
Date: 2006
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Category: Traditio<\/em>nal Opera
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Region: Shanxi Province
\u7f16\u53f7\uff1a\u2163—19
Project No. IV-19
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Name of Applicant (region or institution): Linfen City and Yuncheng City, Shanxi Province
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Puzhou Wooden Clappers came into being in Puzhou, wher Shanxi, Shaanxi and Henan borders upon each other, at the turn of Ming and Qing dynasties, circulating mainly in the south of Shanxi and parts of Shaaxi, Henan, Gansu andQinghai. It is one of the oldest operas of clappers. It was first called miscellany or clapper tone at grassroots level, Shanxi-Shaanxi Wooden Clappers in mid-Qing Dynasty, Puzhou Wooden Clappers early in the Republic of China, and simply Pu Opera in the 1930’s till today. There is a wealth of programs and the known o<\/em>nes are 1,400 in total. In particular, the typical pieces are The Injustice of Dou E, Rebellion of Xue Gang, Kylin Bone Bed, Killing at the Post, and Hanging the Painting.
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The tone of Puzhou Wooden Clappers is mainly clapper tone, apart from Kun Opera, blowing tone and minor tunes of folksongs. The tone of wooden clappers belo<\/em>ngs to the clapper style with seven basic beats while there are 300 trumpet tunes and stringed instrument tunes. The tone of Puzhou Wooden Clappers features high pitch and quick beats with rise and fall in tone, suitable for expressing the passio<\/em>nate and excited mood. During the course of performance, large and small voices are both employed with jumps of the 10th grade pitch or double 8th grades in a passio<\/em>nate and excited tone. The Quiet Setting and Dynamic Setting are the two sorts of accompaniment. For the former, Banhu fiddle is mainly used together with flute, two-string fiddle, three-string fiddle, and erhu fiddle while for the latter, drum clappers, date-tree wooden clappers, horse gong, and cymbals, with much of gong and drum playing.
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The roles are bearded male, old male, young male, female, young female, old female, chief painted face, second painted face, and third painted face. The performing art has a long history and a rich tradition. The distinct feature is passionate, masculine, pleasant, and meticulous, with exceptio<\/em>nal feats to present the characters. The extraordinary spectator stunt show abounds, indeed. And there are 30 plus exceptio<\/em>nal feats and those with natio<\/em>nwide renown include cap wing display, beard and mouth skills, flag skills, boatman skills, whip skills, chair skills, fan skills, paper stunt show, and color show skills.
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Among the wooden clappers opera system, Puzhou Wooden Clappers is the one of the earliest birth among the four Wooden Clappers of Shanxi. It is closely related to Shaanxi Wooden Clappers and is a living fossil for studying the course of evolution of local operas in China. It is also valuable for studies of local culture of Shanxi. Under the commercial impact, Puzhou Wooden Clappers is being endangered as it is losing audience and human resources. Obviously, this situation needs to be changed as soon.
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