{"id":14741,"date":"2020-03-01T20:38:53","date_gmt":"2020-03-01T20:38:53","guid":{"rendered":"http:\/\/chinesemoment.com\/spoken-chinese\/hong-kong-director-stanley-kwan-xiang-gang-dao-yan-guan-jin-peng\/"},"modified":"2020-03-01T20:38:53","modified_gmt":"2020-03-01T20:38:53","slug":"hong-kong-director-stanley-kwan-xiang-gang-dao-yan-guan-jin-peng","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/vi\/hong-kong-director-stanley-kwan-xiang-gang-dao-yan-guan-jin-peng\/","title":{"rendered":"Hong Kong director Stanley Kwan \u9999\u6e2f\u5bfc\u6f14\u2014\u2014\u5173\u9526\u9e4f"},"content":{"rendered":"<\/p>\n<p>  \tStanley Kwan (\u5173\u9526\u9e4f Gu\u0101n J\u01d0np&eacute;ng) was born on&nbsp;October 9, 1957 in Hong Kong. He is a Hong Kong Second Wave Hong Kong film director and producer.<br \/>  \tKwan landed a job at the TVB after receiving a mass communications degree at Hong Kong Baptist College. Kwan&#39;s first film was Women (1985), which starred Chow Yun-fat, and was a big box-office success.<br \/>  \tKwan&#39;s films often deal sympathetically with the plight of women and their struggles with romantic affairs of the heart. Rouge (1987), Full Moon in New York (1989), Centre Stage (1992; aka Actress), a biopic on silent film star Ruan Lingyu and Everlasting Regret (2005), are all such typical Kwan films. Red Rose White Rose (1994) is an adaptation of an Eileen Chang novel. The film was entered into the 45th Berlin International Film Festival. His 1998 film Hold You Tight won the Alfred Bauer Prize and Teddy Award at the 48th Berlin International Film Festival.<br \/>  \tKwan came out as a gay man in 1996 in Yang &plusmn; Yin, his documentary looking at the history of Chinese-language film through the prism of gender roles and sexuality. He is one of the few openly gay directors in Asia and one of the very few to have worked on these themes. His Lan Yu (film) (2001) adapts a gay love story originally published on the Internet.<br \/>  \t<strong>Filmography<br \/>  \t<\/strong><em>Women<\/em> (1985)<br \/>  \t<em>Love Unto Waste <\/em>(1986)<br \/>  \t<em>Rouge<\/em> (1987)<br \/>  \t<em>Full Moon in New York <\/em>(1989)<br \/>  \t<em>Too Happy for Words <\/em>(1992)<br \/>  \t<em>Centre Stage, aka The New China Woman or Actress <\/em>(1992)<br \/>  \t<em>Red Rose White Rose <\/em>(1994)<br \/>  \t<em>Yang &plusmn; Yin: Gender in Chinese Cinema <\/em>(1996)<br \/>  \t<em>Hold You Tight <\/em>(1997) (Teddy Award in 1998)<br \/>  \t<em>Still Love You After All These <\/em>(1997)<br \/>  \t<em>The Island Tales <\/em>(1999)<br \/>  \t<em>Lan Yu <\/em>(2001)<br \/>  \t&nbsp;<\/p>\n<div class=\"chine-tie-zi-nei-rong-zhi-hou\" id=\"chine-4064171527\"><script async src=\"\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-1889418300638825\" crossorigin=\"anonymous\"><\/script><ins class=\"adsbygoogle\" style=\"display:block;\" data-ad-client=\"ca-pub-1889418300638825\" \ndata-ad-slot=\"7273022922\" \ndata-ad-layout-key=\"-gw-3+1f-3d+2z\"\ndata-ad-format=\"fluid\"><\/ins>\n<script> \n(adsbygoogle = window.adsbygoogle || []).push({}); \n<\/script>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Stanley Kwan (\u5173\u9526\u9e4f Gu\u0101n J\u01d0np&eacute;ng) was born on&nbsp;October 9, 1957 in Hong Kong. He is a Hong Kong Second Wave Hong Kong film director and producer.<br \/>\n  \tKwan landed a job at the TVB after receiving a mass communications degree at Hong Kong Baptist College. Kwan&#39;s first film was Women (1985), which starred Chow Yun-fat, and was a big box-office success.<br \/>\n  \tKwan&#39;s films often deal sympathetically with the plight of women and their struggles with romantic affairs of the heart. Rouge (1987), Full Moon in New York (1989), Centre Stage (1992; aka Actress), a biopic on silent film star Ruan Lingyu and Everlasting Regret (2005), are all such typical Kwan films. Red Rose White Rose (1994) is an adaptation of an Eileen Chang novel. The film was entered into the 45th Berlin International Film Festival. His 1998 film Hold You Tight won the Alfred Bauer Prize and Teddy Award at the 48th Berlin International Film Festival.<br \/>\n  \tKwan came out as a gay man in 1996 in Yang &plusmn; Yin, his documentary looking at the history of Chinese-language film through the prism of gender roles and sexuality. He is one of the few openly gay directors in Asia and one of the very few to have worked on these themes. His Lan Yu (film) (2001) adapts a gay love story originally published on the Internet.<br \/>\n  \tFilmography<br \/>\n  \tWomen (1985)<br \/>\n  \tLove Unto Waste (1986)<br \/>\n  \tRouge (1987)<br \/>\n  \tFull Moon in New York (1989)<br \/>\n  \tToo Happy for Words (1992)<br \/>\n  \tCentre Stage, aka The New China Woman or Actress (1992)<br \/>\n  \tRed Rose White Rose (1994)<br \/>\n  \tYang &plusmn; Yin: Gender in Chinese Cinema (1996)<br \/>\n  \tHold You Tight (1997) (Teddy Award in 1998)<br \/>\n  \tStill Love You After All These (1997)<br \/>\n  \tThe Island Tales (1999)<br \/>\n  \tLan Yu (2001)<br \/>\n  \t&nbsp;<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[2871,2853],"tags":[],"class_list":["post-14741","post","type-post","status-publish","format-standard","hentry","category-brief-intro","category-spoken-chinese"],"views":267,"_links":{"self":[{"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/posts\/14741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/comments?post=14741"}],"version-history":[{"count":0,"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/posts\/14741\/revisions"}],"wp:attachment":[{"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/media?parent=14741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/categories?post=14741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chinesemoment.com\/vi\/wp-json\/wp\/v2\/tags?post=14741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}