{"id":6117,"date":"2019-11-17T21:16:51","date_gmt":"2019-11-17T21:16:51","guid":{"rendered":"http:\/\/chinesemoment.com\/chinese-culture\/zhao-mengfus-autumn-colors-on-the-que-and-hua-mountains\/"},"modified":"2019-11-17T21:16:51","modified_gmt":"2019-11-17T21:16:51","slug":"zhao-mengfus-autumn-colors-on-the-que-and-hua-mountains","status":"publish","type":"post","link":"https:\/\/chinesemoment.com\/vi\/zhao-mengfus-autumn-colors-on-the-que-and-hua-mountains\/","title":{"rendered":"Zhao Mengfu\u2019s \u201cAutumn Colors on the Que and Hua Mountains\u201d"},"content":{"rendered":"
Zhao Mengfu’s “Autumn Colors on the Que and Hua Mountains”
\u8d75\u5b5f\u982b\u300a\u9e4a\u534e\u79cb\u8272\u56fe\u300b<\/p>\n

\u4f5c\u8005\uff1a\u8d75\u5b5f\u982b
Author: Zhao Mengfu
\u5c3a\u5bf8\uff1a28.4×90.2\u5398\u7c73
Size: 28.4 cm×90.2 cm
\u6750\u8d28\uff1a\u7eb8\u672c\u8bbe\u8272
Material: ink and color on paper
\u88c5\u88f1\uff1a\u5377\u8f74
Form: handscroll
\u5e74\u4ee3\uff1a\u5143\u4ee3\uff08\u73b0\u85cf\u53f0\u5317\u6545\u5bab\uff09
Dynasty: Yuan dynasty (Collection of the Natio<\/em>nal Palace Museum in Taibei)
\u300a\u9e4a\u534e\u79cb\u8272\u56fe\u300b\u4e3e\u4e16\u65e0\u53cc\uff0c\u5b83\u7684\u4f5c\u8005\u662f\u5143\u4ee3\u4e66\u753b\u5bb6\u8d75\u5b5f\u982b\uff0c\u753b\u5e45\u63cf\u7ed8\u7684\u662f\u6d4e\u5357\u7684\u9e4a\u5c71\u548c\u534e\u5c71\u3002\u753b\u4e2d\uff0c\u8d75\u5b5f\u982b\u5c06\u4e24\u5ea7\u5c71\u5206\u7f6e\u4e8e\u753b\u9762\u7684\u4e00\u5de6\u4e00\u53f3\uff0c\u6784\u56fe\u5de6\u53f3\u5e73\u8861\uff0c\u9e4a\u5c71\u6f2b\u5706\uff0c\u534e\u5c71\u9ad8\u8038\uff0c\u6811\u6728\u8302\u76db\uff0c\u4e00\u6d3e\u79cb\u8272\u7f8e\u666f\uff0c\u5927\u6c14\u53e4\u8fdc\uff0c\u88ab\u753b\u754c\u8a89\u4e3a\u5143\u4ee3\u6587\u4eba\u753b\u7684\u4ee3\u8868\u4f5c\u3002
Created by Zhao Mengfu, a painter and calligrapher during the Yuan Dynasty, “Autumn Colors on the Que and Hua Mountains” is a unique painting, and depicts the scenery of the Que and Hua mountains in Ji’nan. The composition of the scroll is balanced: the pointed Mountain Hua on the right, and the rounded Mountain Que on the left. Around the two mountains are flourishing trees. The painting successfully co<\/em>nveys the beauty of autumn, and is well-known as a representative piece of landscape paintings in the Yuan dynasty.
\u300a\u9e4a\u534e\u79cb\u8272\u56fe\u300b\u662f\u8d75\u5b5f\u982b\u4e8e1295\u5e74\u56de\u5230\u6545\u4e61\u6d59\u6c5f\u65f6\u4e3a\u597d\u53cb\u5468\u5bc6\u6240\u753b\u3002\u8d75\u5b5f\u982b\u66fe\u4efb\u804c\u6d4e\u5357\uff0c\u5468\u5bc6\u539f\u7c4d\u5c71\u4e1c\uff0c\u5374\u751f\u957f\u5728\u8d75\u5b5f\u982b\u7684\u5bb6\u4e61\u5434\u5174\uff0c\u4ece\u672a\u5230\u8fc7\u5c71\u4e1c\u3002\u8d75\u5b5f\u982b\u65e2\u4e3a\u5468\u5bc6\u8ff0\u8bf4\u6d4e\u5357\u98ce\u5149\u4e4b\u7f8e\uff0c\u4e5f\u4f5c\u6b64\u56fe\u76f8\u8d60\u3002
This painting was done by Zhao Mengfu in 1295 after he went back south from serving in the Ji’nan and was intended for his friend Zhou Mi. Zhou’s ancestral hometown was in Shandong, but he had never been there, as he was born and grew up in Wuxing, Zhao’s hometown. Zhao told Zhou of the beautiful scenery of Ji’nan, and presented Zhou with the painting.
\u300a\u9e4a\u534e\u79cb\u8272\u56fe\u300b\u5728\u5143\u3001\u660e\u4e24\u671d\u4e00\u76f4\u6536\u85cf\u4e8e\u6c11\u95f4\uff1b\u5230\u4e86\u6e05\u671d\uff0c\u8fd9\u5e45\u53e4\u753b\u88ab\u6536\u5165\u7687\u5bab\uff0c\u6210\u4e86\u4e7e\u9686\u7687\u5e1d\u5fc3\u7231\u7684\u5b9d\u8d1d\uff0c\u4e7e\u9686\u4eb2\u7b14\u4ee5\u5927\u5b57“\u9e4a\u534e\u79cb\u8272”\u9898\u5199\u4e8e\u5f15\u9996\u3002
The painting was held privately during the Yuan and Ming dynasties, and during the Qing dynasty, it became a favorite of Emperor Qianlong, who wrote down the ins<\/em>cription on the painting, which reads “Que Hua Qiu Se (Autumn Colors on the Que and Hua Mountains)”.
\u9e4a\u534e\u70df\u96e8
Que and Hua mountains in a misty rain
\u9e4a\u5c71\u5728\u9ec4\u6cb3\u5317\u5cb8\uff0c\u76f8\u4f20\u6bcf\u5e74\u4e03\u516b\u6708\u95f4\uff0c\u4e4c\u9e4a\u98de\u7fd4\u3002\u53c8\u4f20\u5148\u79e6\u540d\u533b\u6241\u9e4a\u66fe\u5728\u8fd9\u91cc\u70bc\u4e39\uff0c\u6b7b\u540e\u846c\u6b64\uff0c\u6545\u540d“\u9e4a\u5c71”\u3002\u534e\u5c71\u53e4\u79f0“\u534e\u4e0d\u6ce8”\uff0c\u4e0e\u9e4a\u5c71\u9694\u9ec4\u6cb3\u76f8\u671b\u3002\u5317\u5b8b\u4ee5\u524d\uff0c\u534e\u5c71\u5468\u56f4\u4e00\u7247\u6e56\u6c34\uff0c\u8fdc\u671b\u534e\u5c71\u5c31\u50cf\u6c34\u4e2d\u542b\u82de\u6b32\u653e\u7684\u4e00\u652f\u8377\u82b1\u3002\u9634\u4e91\u4e4b\u9645\uff0c\u767b\u4e0a\u5927\u660e\u6e56\u5357\u5cb8\u7684\u9e4a\u534e\u6865\uff0c\u5411\u5317\u8fdc\u773a\uff0c\u4f46\u89c1\u7ec6\u96e8\u4e4b\u4e2d\u7684\u9e4a\u3001\u534e\u4e8c\u5c71\uff0c\u82e5\u79bb\u82e5\u5408\uff0c\u65f6\u9690\u65f6\u73b0\uff0c\u4e91\u96fe\u7f2d\u7ed5\uff0c\u5982\u4e24\u70b9\u9752\u70df\uff1b\u518d\u52a0\u4e0a\u7530\u91ce\u9621\u964c\u3001\u6c34\u6751\u6e14\u820d\uff0c\u5982\u8bd7\u5982\u753b\uff0c\u4eba\u4eec\u5c06\u6b64\u80dc\u666f\u79f0\u4e3a“\u9e4a\u534e\u70df\u96e8”\u3002
Mountain Que is located on the northern bank of the Yellow River. Legend has it that during every July and August, there would be a large number of magpies flying over the mountain. Another story goes like this: a famous doctor of the Pre-Qin period called Bian Que o<\/em>nce did his alchemic experiments in the mountain. He was buried there after his death. Hence the name Mountain Que. Mountain Hua, also called Mountain Hua-Bu-Zhu in the past, is facing the Moutain Que, which is across the Yellow River. Before the Northern Song Dynasty, Mt. Hua was surrounded by a lake. It looked like a budding lotus flower from afar. On a cloudy and rainy day, if you stand on the Quehua Bridge which is located on the southern bank of the Daming Lake and look to the north, you will see the two hills standing in the misty drizzle, which look like two plumes of smoke. This beautiful scenery, together with paths crisscrossing the fields, water villages and fishermen’s homes, is known as “Que and Hua mountains in a misty rain”.
\u8d75\u5b5f\u982b\u7b80\u4ecb
Introduction to Zhao Mengfu
\u8d75\u5b5f\u982b\uff081254—1322\uff09\uff0c\u5b57\u5b50\u6602\uff0c\u53f7\u677e\u96ea\uff0c\u6d59\u6c5f\u5434\u5174(\u4eca\u6e56\u5dde)\u4eba\u3002\u4e3a\u5b8b\u592a\u7956\u8d75\u5321\u80e4\u7684\u5341\u4e00\u4e16\u5b59\u3002
Zhao Mengfu (1254—1322), courtesy name Zi’ang and with the pseudo<\/em>nym of Songxue, was born in Wuxing (now Huzhou of Zhejiang province) and was a prince and descendant of the Song Dynasty’s imperial family.
\u8d75\u5b5f\u982b\u5728\u4e66\u753b\u65b9\u9762\u7684\u5353\u8d8a\u6210\u5c31\uff0c\u4f7f\u4ed6\u6210\u4e3a\u5143\u521d\u4e66\u753b\u754c\u65e0\u53ef\u7f6e\u7591\u7684\u9886\u8896\u3002\u4ed6\u7684\u4e66\u6cd5\uff0c\u5706\u6da6\u79c0\u9038\uff0c\u76f4\u8ffd“\u4e8c\u738b”\uff0c\u6b63\u3001\u8349\u3001\u96b6\u3001\u7bc6\uff0c\u65e0\u4e0d\u51a0\u7edd\u3002\u4ed6\u5021\u5bfc\u7684“\u4f5c\u753b\u8d35\u6709\u53e4\u610f”\u3001“\u4e91\u5c71\u662f\u6211\u5e08”\u3001“\u4e66\u753b\u672c\u6765\u540c”\u4e3a\u5f53\u65f6\u753b\u5bb6\u5e7f\u6cdb\u8ba4\u540c\uff0c\u5e76\u7531\u5176\u5f1f\u5b50\u627f\u7ee7\u63a8\u5e7f\uff0c\u6781\u5927\u5730\u62d3\u5c55\u4e86\u4e2d\u56fd\u753b\u7684\u8868\u73b0\u9886\u57df\uff0c\u4e3a\u5143\u4ee3\u7684\u6587\u4eba\u878d\u5165\u753b\u575b\u5960\u5b9a\u4e86\u575a\u5b9e\u7684\u57fa\u7840\u3002
Zhao Mengfu’s remarkable achievements in calligraphy and painting helped to establish his leadership in calligraphy and painting during the early period of the Yuan dynasty. Zhao was adept in many styles of calligraphy, such as seal characters, official s<\/em>cript, running s<\/em>cript and the cursive hand. His calligraphic works are neat, gentle and elegant, and enjoyed the same fame as the calligraphy of Wang Xizhi and Wang Xianzhi. His ideas on painting such as “The im<\/em>portance of reflecting the classical taste in painting”, “Clouds and mountains are the sources of my inspiration” and “The same resource in art of calligraphy, drawings and paintings” were widely accepted at that time, and were promoted by his students, which helped expand the ex<\/em>pression of Chinese painting, and lay a solid foundation for scholars of the Yuan dynasty to enter the painting circle.<\/p>\n


<\/div>\n