Bloggen

Chinese Culture: Chinese Jade (中国玉器)

Today, I will introduce the Chinese Jade. Let us have a brief introduction. As jade articles were used 7000 years ago and studies by people about 2500 years ago in China, the country wins a good reputation as a country of jade articles. With its long history, wide distributed in the country, perdurability, elaborate workmanship, and great influence on people’s life, jade enjoyed a rather important statue in Chinese culture that almost every Chinese respect and love jade and endow it with animistic concept and power.

Continue Reading →

Conversational Chinese–Greeting(2)

Conversation: wánɡ lǎo shī:zǎo shànɡ hǎo !
王老师:早上好!Good morning!
zhānɡ lǎo shī:nǐ zǎo!
张老师:你早!Morning!
wánɡ lǎo shī:nǐ shēn tǐ hǎo mɑ?
王老师:你身体好吗?How are you?
zhānɡ lǎo shī:wǒ hěn hǎo, nǐ ne?
张老师:我很好,你呢?I’m fine. And you?
wánɡ lǎo shī:wǒ yě hěn hǎo,xiè xie。
王老师:我也很好,谢谢。再见!I’m fine, too. Thank you. Goodbye!
zhānɡ lǎo shī:zài jiàn !
张老师:再见!Bye!

Continue Reading →

Chinese Band: May Day 五月天

Mayday (五月天), is a rock/pop band from Taiwan that dreams of being the “Beatles for Chinese People” (华人的披头四). I’ve often wondered why they’d limit themselves to just the Chinese. The band has five members: Lead singer Ashin 阿信, Guitarist/Band Leader Monster 怪兽, Guitarist Stone 石头, Bass Player (+random other instruments) Masa 玛沙, and Drummer Guanyou 冠佑 (formerly known as Yanming 谚明, or just Ming).

Continue Reading →

Chinese Culture: Chinese Ink (墨)

Today, I will introduce the Chinese Ink. Let us have a brief introduction. As one of the Four Treasures of Study in China (brush, ink, paper and inkstone), Chinese ink, or ink stick, is the key part in the Chinese traditional calligraphy and painting. It is a kind of ink in solid and should be ground with water for use. Originally a pigment only in black, ink was gradually derived to the red ink and then colored ink in later periods.

Continue Reading →

Folk music中国的民乐

According to current archaeological discoveries, Chinese folk music dates back 7000 years. Not only in form but also in artistic conception, China has been the home of a colorful culture of folk music. Largely based on the pentatonic scale, Chinese folk music is different from western traditional music, paying more attention to the form expression as well.

Continue Reading →

闹洞房Teasing the Bride on Wedding Night

nào dòngfáng shì liúxíng quánguó de jiéhūn xísú. mínjiān rènwéi, xīnhūn “bú nào bù fā, yuè nào yuè fā ”, nào dòngfáng kěyǐ zēngjiā xīnhūn de xǐqìng qìfēn, yòu wéi xīnláng xīnniáng qūxié bìxiōng, bìng shǐ tāmen hūnhòu jíxiáng rúyì, xīng wàng fā dá.
zài jiāngzhè yídài, xīnhūn fūfù zài shuìjiào qián yǒu zhēng yā yīwù qiǎng shàng fēng de xísú. rú zhèjiāng xīnláng huì zài wéi xīnniáng zhāi xià fèngguān de shíhòu, qǔxià zì jǐ tóu shàng de lǐmào yāzài fèngguān shàngmiàn, súchēng “lǐmào yā fèngguān, fū jūn guǎn xīnniáng ”, biǎoshì xīnniáng jiéhūn zhīhòu tīng zhàngfū de. zài yángzhōushuǐxiāng, zé liú háng “kē xié ”de fēngsú, liǎngrén tuōxié shàngchuáng, shuí hòu tuōxié biàn kě bǎ zìjǐ de xié fàngzài shàngmiàn, biǎoshì rìhòu wéi shàng, yìbān nǚzǐ dōu huì ràng zhàngfū bǎ xié fàngdào shàngmiàn, súchēng “nán xié wéi tiān, nǚ xié wéi dì ”; yě yǒu hǎo qiáng de nǚzǐ jiùshì bù tuōxié, xīnláng jí zhe xiǎng shàngchuáng, zhī hǎo zìjǐ xiān tuōxié, ràng xīnniáng de xié yādào shàngbiān, qíng yuàn yǐ hòu zuò “qī guǎn yán ”.
yǒude dìfāng háiyǒu nào dòngfáng tōu yīfú de fēngsú. jiāngnán nánchāng jiùshì xīnniáng hé xīnláng shàngchuáng ānshuì shí, háiyǒu nào fáng de qīnyǒu duǒ zài xīnchuáng xiàmiàn, děngdào xīnláng xīnniáng shuìzháo le. tōu le xīnrén de yīfú pǎo chūqù, ránhòu qiāodǎ tóngluó, bǎ zhōuwéi de rén dōu jīngxǐng. zhèshí xīnláng xīnniáng yě xiàxǐng le, kěshì què fāxiàn zìjǐ de yīfú dōu bújiàn le.

Continue Reading →

Ethnic Han music

Han Chinese make up 92% of the population of China. Ethnic Han music consists of heterophonic music, in which the musicians play versions of a single melodic line. Percussion accompanies most music, dance, talks, and opera. Han Chinese Folk Music had many aspects to it regarding its meaning, feelings, and tonality. This genre of music, in a sense, is similar to the Chinese language. This relationship is made by tones, sliding from higher tones to lower tones, or lower to higher tones, or a combination of both. These similarities mean that the instrument is a very important part in mastering technique with both left and right hands (left hand is used to create tonality on the string, right hand is for plucking or strumming the string), particularly for the classical (literati) tradition. Sometimes, singing can be put into the music to create a harmony or a melody accompanying the instrument. Han Chinese Folk's feelings are displayed in its poetry-like feeling to it with slow soothing tempos that express feelings that connect with the audience or whoever is playing the piece. Han Chinese Folk is delivered in a way, using silences that alter its meaning, this also creates a sound similar to poetry.

Continue Reading →
1 120 121 122 123 124 1,697