Tag: to teach

Tea Culture in China: Tea Brings Tao and Elegance 中华茶文化:以茶可行道以茶可雅志

中国人视道为体系完整的思想学说,是宇宙、人生的法则、规律,所以,中国人不轻易言道,不像日本茶有茶道,花有花道,香有香道,剑有剑道,连摔跤搏击也有柔道、跆拳道。在中国饮食、玩乐诸活动中能升华为“道”的只有茶道。 Chinese regard Tao as a complete system which is the rule and law of universe and life. Therefore, Chinese

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The Chinese and the Moon

In Chinese minds, the moon is associated with gentleness and brightness, expressing the beautiful yearnings of the Chinese. On the 15th day of the 8th month of the lunar calendar, the moon is full and it is time to mark the Moon Festival, or the Mid-Autumn Festival. The round shape symbolizes family reunio. Therefore the day is a holiday for family members to get together and enjoy the full moon – an auspicious token of abundance, harmony, and luck.

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Chinese Kung Fu 中国功夫 – The Mechanics of Wing Chun Empty Hand Forms

In the introduction, it was suggested that Wing Chun was a different, more technique-based system of Kung Fu compared to the more ordinary systems of Kung Fu that rely as much on brute strength as superior technique. Much was said there to describe what WCKF wasn’t. Also immediately above, we introduced the philosophical essence, the very heart, of WCKF. In this section, we describe the component parts, the mechanics, of WCKF. This is best accomplished by describing the component parts of WCKF with an eye to their underlying concepts (remember also that, in the introduction, we said that WCKF was "concept-based"?). Central to the art of WCKF is the notion of the Central Axis (Zhong​ Zhou [中軸]), or the center line, which is the area of the body, or body zone, in which punches, kicks and grappling (trapping) takes place, while punches, kicks and trapping, in turn, belong to forms (Empty Hand forms). Each of these concepts – these topics and subtopics – will be treated in the following…

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Chinese Kung Fu 中国功夫 – Wing Chun Legends and Lineages

The origin of Wing Chun is explained by a legend that involves a fight between a snake and a crane. According to the legend, a female Kung Fu master, Ng Mui, who was associated with with the Shaolin Temple*(1), chanced upon a fight between a snake and a crane, where normally the snake would be considered the underdog, yet the snake, biding its time and taking measure of the crane and the crane’s method of striking – and taking care not to be struck by the crane, of course, since, were the crane to connect (literal sense!) with the snake, it would be curtain time for the snake! – itself struck at the propitious moment, killing the crane.

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